Olivia J. Bennett 

is a writer, editor & critic.


She works across narrative development, editorial strategy and cultural insight for creative, design-led projects.

Her writing spans screen, sound, software and the systems that shape them.


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NEW BLUE SUN
André 3000

André 3000's constant companion, a wooden double flute, becomes a focal point in New Blue Sun, marking his debut to the solo scene after decades as a rap heavyweight. This album ventures into ambient territory, blending jazz-inspired flute, percussion and subtle digital embellishments. Drawing inspiration from the experimental jazz projects of American composer and Afrofuturist Sun Ra, André steers the listener through a meditative journey, transitioning from the humidity of a tropical rainforest to the crisp air of a glacial mountaintop. While commendable, New Blue Sun aligns more with genre traditions than pushing them forward. The album's purpose seems rooted in Andre's personal clarity, evident in the candid, sentence-long titles. ‘I Swear, I Really Wanted to Make a ‘Rap' Album but This Is Literally the Way the Wind Blew Me This Time' captures this unfiltered expression. The album radiates with an impassioned, almost all-consuming dedication, spotlighting an artist negotiating a mature trajectory for his genre-defining rap stylings.